In 2009 while watching Stewart Little (1999), Hungarian art historian Gergely Barki, saw the painting β€˜π˜šπ˜­π˜¦π˜¦π˜±π˜ͺ𝘯𝘨 π˜“π˜’π˜₯𝘺 𝘸π˜ͺ𝘡𝘩 π˜‰π˜­π˜’π˜€π˜¬ π˜π˜’π˜΄π˜¦β€™ by RΓ³bert BerΓ©ny. It had been missing for 90 years and had been used as a prop. It was the original.

April
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